- Originally from Vermont, I now live in North Carolina. My work can be found in recent issues of REAL: Regarding Arts and Letters, The Jabberwock Review, The Emerson Review, Storyglossia, The MacGuffin, Confrontation, Passages North, SmokeLong Quarterly, elimae, wigleaf, and Pank, among others, and forthcoming from Gargoyle #57 and REAL: Regarding Arts and Letters. One of my stories has been translated into Farsi by Asadollah Amraee, and many others by Jalil Jafari, two of which have been published in the Iranian journal, Golestaneh Magazine. For two years I worked as an assistant editor for Narrative Magazine. Currently, I serve as a mentor for Dzanc's Creative Writing Sessions. I'm working on two novels and a short story collection. In May, I was awarded the Carol Houck Smith Contributor Scholarship for the 2011 Bread Loaf Writers' Conference.
Friday, July 29, 2011
Read: Faith by Jennifer Haigh
Faith by Jennifer Haigh
These days perhaps few are surprised when they hear of a priest under suspicion of inappropriate behavior—similar stories have made headlines for a couple of decades now. In Jennifer Haigh’s new novel “Faith,” not only do we get the unexpected, but we get a layered, complex, and evocative tale with richly drawn characters as well.
Haigh’s character, Sheila McGann, tells us how her half-brother Art became one of the accused priests and how that accusation destroys his life. The author’s brilliantly controlled structure prevents us from receiving all the facts at once so that we can never be quite sure of how things really went down. Through most of the book we may be wondering, is Sheila’s recounting of what happened reliable? Is she forthcoming with all the information? Does she really know her brother? After all, the attention Father Art lavishes on a lonely boy with an often negligent mother could reasonably appear suspect given the history of similar transgressions within the church. We’re left wondering only until the moment Haigh decides to relieve us of that doubt in one stunning, illuminating scene which arrives near the end of the novel. This new revelation will alter perception of events that transpire before and after. Not all things are as they seem, and Haigh reminds us of this as she skillfully explores the meaning of faith and all of its nuances.
“Faith” is a remarkable novel, both for its strong rendering of place and the salt of the earth people who inhabit that place, and also for its invitation for us to think beyond our assumptions, maybe even discard them altogether. It’s a novel that will not only deliver answers, but will also leave the reader with deep, profound questions.
*Review first published in the July 17th edition of The Pilot.